The Jewish Museum of Switzerland houses objects spanning 2000 years from Basel to Riga, from Aleppo to Eilat and from Spain to South America. The collection focuses on ceremonial objects made of silver, ritual textiles from the seventeenth and eighteenth centuries and documents on the cultural history of Jews in Switzerland. With a steadily growing collection, the museum also collects contemporary Judaica, everyday objects, art and provenance research.
In the field of museology, «provenance» refers to the history an object, and «provenance research» to the study of its history, particularly its ownership history.
When the Jewish Museum of Switzerland opened in 1966 as the first of its kind in German-speaking Europe after World War II, it initially possessed only a small collection of Judaica. In the decades that followed, the museum’s collection grew through loans and donations made available to the museum by private donors and institutions, as well as through acquisitions. Our museum preserves, researches, analyses, and exhibits these objects. They have been key to the Jewish Museum of Switzerland’s educational work in conveying Judaism to its visitors, as they offer insight into Jewish religious, cultural, and social life.
Jewish life was destroyed during the rule of the National Socialists (1933–1945) in the German Reich and in the Nazi-occupied territories. Many ritual objects, books, and similar items were looted from communities and private individuals. Many Jews had to sell their property under pressure, as they were fleeing persecution. Numerous Judaica were brought into Switzerland, especially during the war years and in the decades thereafter, because the country had a stable art market, but also in hope of bringing them to Switzerland into safety.
Today, Jewish life and institutions have re-emerged where they had been destroyed during the Nazi era. At the same time, Jewish museums are increasingly shedding light on the provenance of their objects.
Our museum is currently examining its collection in search of objects suspected of having changed ownership under the pressure of Nazi persecution, as well as the objects for which we have little information about their whereabouts between 1933 and 1945. Provenance research offers the museum the opportunity to uncover the histories of such objects and to seek fair and just solutions. This work is supported by the Guth-Dreyfus family and particularly by the president of the Association for the Jewish Museum of Switzerland, Nadia Guth Biasini.
